The first two artists are included in this gallery. De Stijl had a large influence on architecture and helped start the International Style. Russian Constructivism started in and it "replaced composition with construction The Art Story.
It was art that abstractly represented the hope of a "new construction" of Russia. Constructivists believed that materials should be used "in such a way that demonstrated the uses to which they could be put The Art Story. It's interesting because, although both movements are taking different routes of what they want to express and portray, they end up using similar materials to create the effect. Both use geometric shapes and lines consistently and rely on abstraction to make their point.
This particular piece could be considered the perfect model of De Stijl. It uses only primary colors and black and white. It also has only horizontal and vertical lines. The structure of the piece suggests precision and order. Hence, this piece represents well the search for a utopia in art without the use of perspective and representation.
When looking at the piece there is no distraction from the form or the color because that is all there is to look at. The second piece by Mondrian also embodies De Stijl well. It is similar to his first piece with the focus on primary colors, black and white, and also with the emphasis on lines and form.
However, this piece varies from Mondrian's first piece slightly. In this work, he has introduced diagonal lines which makes the work more dynamic and slightly less concentrated on color and form than before.
Yet, it is still quite obvious that the main factors are geometric shapes and primary colors which leads to an organized, disciplined art work. Upcoming SlideShare. Like this presentation? Why not share! Punk tees from the late 70's, the w Embed Size px. Start on. Show related SlideShares at end.
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Evelyn Herrera. Show More. Views Total views. Actions Shares. No notes for slide. From its founding in Weimar in by Walter Gropius to its subsequent closure in Dessau in , the Bauhaus — a German school offering classes in performing arts, design, fine art and applied arts — was known for its progressive teachings, disregard for traditional art hierarchies and radical vision that design and production should be united.
Kandinsky , who had settled in Munich in , returned to Russia after the end of the First World War, where he encountered the ideologies and work of the Constructivists.
On returning to Germany in to take up a post at the Bauhaus, Kandinsky began to move away from representation to experiment with geometric forms of abstraction — circles, triangles, lines and colour dominate his works from this period.
Joost Baljeu , Synth. Practitioners of De Stijl — including Gerrit Rietveld and Vilmos Huszar — were greatly influenced by architecture and urban planning, and saw their stark forms of right angles and crossed lines, magnified by bold colour, as a response to the geometric abstraction championed by early 20th-century artists.
The movement gained and maintained influence through the initially scandalous exhibitions of its most famous practitioner, Piet Mondrian , as well as the ambassadorial work of Van Doesburg, who brought his concepts to the Bauhaus in the early s. This generation of Constructivists reacted strongly to the then-dominant position of the CoBrA group formed in , whose work was highly emotional, colourful and expressive.
As a collective, they embraced a simple chromatic palette, geometric abstraction and, like their early 20th-century Constructivist predecessors, regarded art as the objective product of its material constituent parts.
This loose collective of international artists, which exhibited alongside notable names including Yves Klein , Lucio Fontana and Jean Ting, made art that called for simple forms, colours and everyday materials. Many Zero artists made kinetic art using light, space and motion to engage alternative modes of perception. Herman de Vries b. Like their German counterparts, they sought to infuse painted surfaces with a sense of light and movement. Many works by Zero artists are characterised by a monochromatic palette, repetition, seriality and grid-like shapes.
This collective, which included artists Jeffrey Steele and Malcolm Hughes , aspired to find order within chaos, by denoting probable patterns within certain painterly and sculptural arrangements. Galerie Swart in Amsterdam hosted an exhibition of works by System Group artists in to considerable acclaim. Stylistically, his art is as minimal as possible, and, more often than not, made using one chromatic colour. Schoonhoven embraced a more human form of Constructivism, while Struycken, who embodied the material future of Constructivism, incorporated new technologies in his computer-generated artworks of the s to experiment with colour variations and movements.
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